And we thought ... Twombly! So I went back to paintings I remembered from a show we had seen years ago, to "Untitled," from 1970, created from oil and house paint and crayon, on a very big canvas (11' 4" x 13' 3"):
Most people, (including, up until now, me), would call this one of Twombly's "Blackboard" paintings. But, having seen the waves at Baker Beach, and the Monet in some detail, I now think this is a "Wave" painting: look at those repeating circles, which now seem less like cursive writing than breaking waves. And, if you want a Twombly painting where the cursive waves pick up Monet's colors, and add to that a sense of sky. It is "Untitled," from 1964 and 1984 (quite a span, that!), oil and pencil and crayon, 6' 8 3/8" x 8' 2 1/4":
"Paint is something that I use with my hands and do all those tactile things. I really don't like oil because you can't get back into it, or you make a mess. It's not my favourite thing - pencil is more my medium than wet paint. I did by mistake paint on a picture in Lexington and then quickly put an image on top. And I got into the wet. I had the background painted, worked into it and then merged the background and surfaces. Before, I always had a dry background and painted on. Now, I have someone paint the background that I have already figured out."
I really love the idea of the crisply-dressed Twombly getting "into the wet." Happy wading.
i think you're right about the cursive waves :-)
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