Artist in an A-frame

Showing posts with label oyster. Show all posts
Showing posts with label oyster. Show all posts

Tuesday, June 14, 2011

two destroyed sketches ... this one, looser

at June 14, 2011 No comments:
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Labels: lightning, oyster, the girl, the grid
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About Me

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Ann Knickerbocker
I am a painter. My portfolio can be found at annknickerbocker.com and my Instagram account is artistinanaframe. Over 20+ years, we took our children to France as often as we could, for 7 summers, and for 8 months in the Poitou-Charentes. Then the two of us spent two years in Normandy, where we bought a 19th-century stone house. But, we discovered we couldn't really BE French. We lived for seven years in Northern California, where I was a member of the wonderful Gallery Route One in Point Reyes Station. We left to come back East, first to Western Massachusetts, and in February 2020, we moved to Old Saybrook, Connecticut. I am en elected member of the Essex Art Association and a member of Gallery One CT. Another blog "A Small, Fine-Art Sketchbook," a story with images, was written from February through June of 2013. And, before that, is my blog from 2010, available on my website.
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  • reflection
  • reflections
  • Regrets
  • Rena Bransten Gallery
  • Renoir
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  • Reynolds
  • rhubarb pie
  • Rhys Davies
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  • river
  • Robert Duncan
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  • rock
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  • Sally Mann
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  • Samuel Beckett's letters
  • sanded painting
  • Sarah Thornton
  • Saratoga Arts
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  • Sausalito Open Studios
  • scale
  • scanning
  • school house
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  • Schwarzwald
  • screen
  • Seager Gray Gallery in Marin
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  • Seamus Heaney
  • Seeing Gertrude Stein
  • self-portrait
  • Serge Sorokko Gallery
  • setting sun
  • Seven Days in the Art World
  • SF Contemporary Jewish Museum
  • SFMOMA
  • shaking loose
  • Sharon Payne Bolton
  • shimmer
  • shoreline galleries
  • silk vs. skin
  • Silks up against grass
  • Simon Abrahams
  • six balloons
  • sketch of Paris street sign
  • sketch of the Queen's Skirt
  • Sketchbook Project 2012
  • Sky vs. air
  • small art
  • small explosion
  • smooth paint
  • so cold no fire ever can warm me
  • solar panels
  • sosho
  • sources for Demoiselles
  • Spanish influence
  • Spirit and Beauty Kimmidoll
  • spring as muse
  • squirrels
  • Stanzione
  • Stein and Toklas
  • Steve Lloyd
  • Steven Corsano
  • Stevie Wonder
  • still life
  • Still-life
  • stone
  • storage
  • studio conversations
  • subdued nude
  • subjective vs. objective judgment
  • summers in France
  • sunflowers
  • sunlight and shadows
  • surface illusion
  • Susan Fehlinger
  • Susan Howe
  • Susanna and the Elders
  • Suzanne Langer
  • T.J. Clark
  • T.S. Eliot
  • taling to ourselves about art
  • tanka-prose poem
  • Taos
  • Tarlton poem
  • TEMPETE
  • Temple of Dendur
  • Teo Gonzalez
  • Teri Malo
  • text
  • text and image
  • text-based art
  • the "real" work of art
  • the "Women" series
  • The Art of the Book
  • the artist's resume
  • the artist's statement
  • the autobahn
  • the Auvergne
  • the Beat poets
  • the brushstroke
  • the color orange
  • the color white
  • the consolations of art
  • the creative idea
  • The Cubist Epoch
  • the cult of personality
  • the disappearing object
  • the edge between abstract and realistic painting
  • the face in the portrait
  • The Fan
  • The Floor Scrapers
  • The Four Philosophers
  • the French village
  • The Gearagh
  • the Getty
  • the girl
  • The Green on Red Gallery
  • the grid
  • the Harem
  • the Harwood Museum
  • The Hess Art Museum
  • the hole between life and art
  • The Idea of Order at Key West
  • The Iliad
  • the imperfect
  • the job of the artist
  • the key to Cubisme
  • The Laffer Gallery
  • The Lake Isle of Innisfree
  • The Long Island Sound
  • the male gaze
  • the model
  • the moment
  • the neon boy on the moor
  • the painter's touch
  • the painting wins
  • The Piano Lesson
  • The Prelude
  • the process of the artist
  • the Queen's skirt
  • the real vs. the imagined
  • the role of accident in painting
  • the role of theaudience
  • the room and the garden
  • the secret of the picture
  • the Sistine Chapel
  • the space between
  • The Steins Collect
  • the subject in art
  • The Typewriter is Holy
  • the uses of art
  • The Wanderer Above the Mists
  • the weight of air in painting
  • the Yale Center for British Art
  • Theodore Roethke
  • Thomas Eakind
  • Thomas Eakins
  • Thomas Stavovy
  • Throne of Blood
  • throwing paint
  • thrown paint
  • Tintern Abbey
  • Tintoretto
  • Titian
  • Titian's Venus of Urbino Comes today...
  • top 10 western movies
  • tourist postcards
  • towards a painting
  • tragedy
  • trees on the streets of Lyon
  • Trevor Bell
  • triptych
  • Tryweryn Valley
  • Tunisian chairs
  • Turner
  • ukiyo-e
  • Ulla Dydo
  • un train peut en cacher un autre
  • Unbalancing Acts
  • unfinished art
  • unfinished paintings
  • untitled
  • upstate New York
  • Van Dyck
  • Van Gogh
  • Venus of Urbino
  • Vermeer
  • version II
  • video art
  • Vincent Van Gogh
  • vineyard in sonoma
  • vineyards
  • virtual and real sketches
  • visual art inspired by literature
  • Vladimir Nabokov
  • Volnay
  • Vuillard
  • W.B. Yeats
  • W.H. Auden
  • wabi sabi
  • Waiting for the Moon
  • Wallace Stevens
  • Warhol
  • Watch Hill
  • water lilies
  • Watteau
  • Wendy Steiner
  • West to East
  • what is abstract art for?
  • what is an abstract
  • Whistler
  • white paint as transparent
  • white sea
  • Whitewashing the moon
  • why we draw
  • wild goose chase
  • William Burroughs
  • William James
  • William Wordsworth
  • wine label
  • winter mroning moon
  • winter trees
  • women thinking
  • woodblock print
  • wooden squares
  • woodpiles
  • words and images
  • Wordsworth
  • work at art
  • work engenders work
  • www.brianedmonds.com/blog
  • Yeats
  • Yorkshire
  • Zola
  • zombie formalism

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An afternoon at Thurlestone

An afternoon at Thurlestone

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