Artist in an A-frame

Showing posts with label screen. Show all posts
Showing posts with label screen. Show all posts

Thursday, July 28, 2011

The Screen and the White Sea

at July 28, 2011 No comments:
Email ThisBlogThis!Share to XShare to FacebookShare to Pinterest
Labels: screen, white sea
Older Posts Home
Subscribe to: Posts (Atom)

About Me

My photo
Ann Knickerbocker
I am a painter. My portfolio can be found at annknickerbocker.com and my Instagram account is artistinanaframe. Over 20+ years, we took our children to France as often as we could, for 7 summers, and for 8 months in the Poitou-Charentes. Then the two of us spent two years in Normandy, where we bought a 19th-century stone house. But, we discovered we couldn't really BE French. We lived for seven years in Northern California, where I was a member of the wonderful Gallery Route One in Point Reyes Station. We left to come back East, first to Western Massachusetts, and in February 2020, we moved to Old Saybrook, Connecticut. I am en elected member of the Essex Art Association and a member of Gallery One CT. Another blog "A Small, Fine-Art Sketchbook," a story with images, was written from February through June of 2013. And, before that, is my blog from 2010, available on my website.
View my complete profile

Blog Archive

  • ▼  2020 (1)
    • ▼  April (1)
      • The Changing Face of a Painting
  • ►  2019 (1)
    • ►  January (1)
  • ►  2017 (2)
    • ►  December (1)
    • ►  July (1)
  • ►  2016 (11)
    • ►  November (3)
    • ►  October (1)
    • ►  September (1)
    • ►  June (2)
    • ►  May (4)
  • ►  2015 (7)
    • ►  November (1)
    • ►  October (1)
    • ►  June (2)
    • ►  May (1)
    • ►  April (1)
    • ►  March (1)
  • ►  2014 (5)
    • ►  August (1)
    • ►  May (2)
    • ►  March (1)
    • ►  February (1)
  • ►  2013 (9)
    • ►  December (4)
    • ►  November (3)
    • ►  July (1)
    • ►  February (1)
  • ►  2012 (24)
    • ►  September (3)
    • ►  August (1)
    • ►  July (2)
    • ►  June (2)
    • ►  May (1)
    • ►  April (3)
    • ►  March (3)
    • ►  February (5)
    • ►  January (4)
  • ►  2011 (216)
    • ►  December (17)
    • ►  November (28)
    • ►  October (15)
    • ►  September (9)
    • ►  August (8)
    • ►  July (25)
    • ►  June (29)
    • ►  May (28)
    • ►  April (30)
    • ►  March (27)

Labels

  • ' Fontainebleau and green
  • 'sauvage
  • " "A Bigger Picture
  • " Bruno Wollheim
  • " oyster
  • " Shelley
  • " winter sun
  • " "going too far
  • " "to drill one hole after another
  • " early morning in San Francisco
  • " Jenkins Johnson Gallery San Francisco
  • " Lawrence Weschler
  • " orange slices
  • " reflections
  • " Richard Foreman
  • " Shrimp du Jour
  • " stream of consciousness
  • " T.S. Eliot
  • "A Day on the Canal"
  • "a shipwreck of phosphorecences
  • "a simple little hill"
  • "Abstract Critical"
  • "At the Milliner's"
  • "Bigger Trees Nearer Warther
  • "Blackthorn
  • "Bocca Baciata"
  • "Bones"
  • "death-in-life and life-in-death"
  • "Degas and the Nude" at Boston MFA
  • "East and Beyond"
  • "Endgame"
  • "Every Painter Paints Himself
  • "Every Painter Paints Himself"
  • "Expressiveness
  • "fail better"
  • "faithful to the process"
  • "Fish (Still Life)"
  • "Five O'Clock Tea"
  • "Footsteps
  • "For E.M."
  • "Gorky's Granddaughter"
  • "Grande Cretto"
  • "Hadleigh Castle"
  • "Henry James" by Stein
  • "hors-catégorie"
  • "I am not fine..."
  • "into the wet"
  • "La Belle Hollandaise"
  • "Lectures in America"
  • "Les Femmes du Maroc
  • "Luncheon on the Grass"
  • "Madame Brunet"
  • "Madame Matisse"
  • "Midnight in Paris" Woody Allen
  • "Moss Roses in a Vase"
  • "Mrs. Reynolds"
  • "My Best Friend"
  • "Nighthawks"
  • "old bones" vs. "contemporary skin
  • "Perpetual Inventory"
  • "Picasso and Braque go to the movies"
  • "Picasso: Challenging the Past"
  • "Picture Theory"
  • "Pictures"
  • "pure painting"
  • "Rolin Madonna"
  • "Roses"
  • "Seascape"
  • "Secret Knowledge
  • "Seeing Gertude Stein
  • "Standing Female Nude Seen from the Side"
  • "Stone"
  • "Sunflowers"
  • "The Bathers"
  • "The Bouquet
  • "The Flight of the Odalisque"
  • "the floating world"
  • "The Moorish Bath"
  • "The Poems of Our Climate
  • "The Railway"
  • "The Seasons"
  • "The Swimming Hole"
  • "Tracing After Cézanne"
  • "Twentieth Century Literature
  • "Untitled"
  • "Waves Breaking"
  • "What Paint Does"
  • "ZONE in which placed things luminate"
  • 2012 Collector's Choice Juried Show at the Sylvia White Gallery in Ventura
  • A Bigger Exhibition
  • a brilliant sound
  • a carpet
  • a window is to see through
  • A6
  • abstract art
  • abstract art as process
  • Abstract Expressionist Heir
  • abstract painting
  • abstract painting in progress
  • abstraction vs. representation in painting
  • Achilles' shield
  • Acquavella Galleries
  • acrylic
  • Adler&Co
  • adobe sketch
  • aesthetic celebration
  • aesthetic judgment
  • after Cezanne
  • Agnes Martin
  • Aime Mpane
  • Albert Gleizes
  • Alberto Burri
  • Alexandra Socarides
  • Alexis Brown
  • Alice B. Toklas
  • Allen Ginsberg
  • American
  • an object in space
  • Analytic vs. Synthetic Cubism
  • Andrew Graham-Dixon
  • Andy Goldsworthy
  • Anecdote of a Jar
  • anger
  • Ann Knickerbocker
  • Ann Temkin
  • Annotation
  • Annunciation
  • Antoni Tapies
  • Anxiety of Influence
  • art
  • art and audience
  • art and time
  • art as a weapon against brutality
  • art as commodity
  • art criticism and blogs
  • art for art's sake
  • art galleries
  • art gallery
  • Art House Coop Fiction Project
  • Art in Dublin
  • art manifesto
  • art movements
  • art-about-something
  • Arthur C. Danto
  • artist and audience
  • artist statement
  • artist's book
  • artist's studio
  • artistic advice
  • artistic appropriation
  • artistic change
  • artistic heir
  • artistic influence
  • artistic intention
  • artistic judgment
  • artistic lines of inquiry
  • artistic paralysis
  • artistic preoccupation
  • artistic process
  • artistic reputation
  • artistic rivalry
  • artistic self-discovery
  • artistic technique
  • artistic uncertainty
  • artistic voice
  • artists' books
  • artMRKT San Francisco
  • assignment
  • authoritative style
  • autumn colors
  • background
  • Baker Beach
  • Balck Forest
  • Bar at the Folies-Bergere
  • Barbara Knezevic
  • Barbara Rose
  • Barry Hatton
  • Bather at Valpincon
  • bathers
  • bathroom window
  • BBQ with grapevines
  • Be... Dream... Play
  • beach
  • beauty
  • Beckett
  • belonging
  • Benday dots
  • Benicia Open Studios
  • Bernard Berenson
  • Beverley Mastrianni
  • Biarritz
  • Bilignin
  • Blake
  • blue and green
  • blue and green day
  • blue bubble
  • bluefish dinner
  • BMA
  • Bobbie Burgers
  • Bolinas and Stinson beach Open Studios
  • Boltax Gallery
  • Borchgrave
  • Boston MFA
  • Botticelli
  • Bouquet of belle Scavoir
  • Bowerbird
  • Bowles
  • breaking free
  • Brendan Prendeville
  • Brian Huber
  • brocantes
  • Bronzino
  • brown edge
  • Bruce Nauman
  • Brushes
  • brushstroke
  • C.S. Merrill
  • Cabinet of Curiosity
  • Caldwell-Snyder
  • camellias
  • Camille Pissarro
  • Caravaggio
  • Carcassonne
  • Caroline Achaintre
  • Caspar David Friedrich
  • castles
  • Catherine Christiano
  • Central Valley
  • Cezanne
  • Cézanne
  • Cezanne's apples
  • chance and accident in painting
  • changing work
  • Charles Tarlton
  • Cherchez La Femme
  • Chester Connecticut
  • Chester Gallery
  • chimney pots
  • Christmas tree origins
  • Christophe Cherix
  • Chuck Close
  • city life
  • City Lights bookstore
  • Civilization and Its Discontents
  • Claire crosby
  • clams
  • classical training
  • Claude Monet
  • claustrophobic paint
  • Clio Newton
  • close up
  • clouds
  • cole porter
  • collage
  • color
  • color in painting
  • comparing abstract paintings
  • confined spaces
  • contemplative
  • contemporary abstract painting
  • Contemporary Jewish Museum (SF)
  • contradictions
  • conversation piece paintings
  • cornfields
  • corporate art
  • cottage
  • cottages and water
  • Courbet
  • CRANE
  • creativity
  • criteria in art
  • criticism
  • crushed clam shells
  • Cubism
  • Cubism as monument
  • Cubist Still Life
  • cut
  • Cy Towmbly
  • Cy Twombly
  • Damien Flood
  • Damien Hirst
  • Daniel Gabriel Rossetti
  • Dante's Inferno
  • David Hockney
  • David Kaufmann
  • day vs. night painting
  • day-lily
  • De Kooning
  • De Young Museum
  • death portraits
  • Deborah Hornbake
  • decorative art
  • decorative borders
  • deer
  • Deerfield Arts Bank
  • Degas
  • Déjeuner sur le'Herbe
  • DeKooning
  • Demoiselles
  • Demoiselles d'Avignon
  • Denis Donohue
  • Dennis McNulty
  • destroyed painting
  • destroyed paintings
  • detached wandering
  • diagramming paintings
  • Diana Rogers
  • Diana Thater
  • Diane Williams
  • Diebenkorn
  • difficult art
  • digital art
  • Diptych of Martin van Newenhoven
  • Dolby Chadwick Gallery
  • Dolph Lemoult
  • dominion
  • don't fence me in
  • Donald Teskey
  • Dong Qichang
  • Donna Seager Gallery
  • Douglas Cooper
  • dramatic prose and verse
  • dramatic space in art
  • drawing
  • dualities
  • Dublin Ireland
  • Durer
  • Dylan Thomas
  • earthquakes and feeling and sound
  • Edawrd Everett Hale
  • Edmund White
  • Edouard Manet
  • Eduard Manet
  • Edward Hopper
  • egrets
  • ehrstahs
  • ekphrasis
  • ekphrastic poetry
  • El Jaleo
  • Eleanor Duffin
  • Eleonora of Toledo
  • Elins Eagles-Smith
  • Eliot
  • Elizabeth Bunsen
  • Elizabeth Murray
  • Ella Fitzgerald
  • Elle Design Studio
  • Elmer Bischoff
  • Emily Dickinson
  • emotion in art
  • engraved painting
  • Erle Loran
  • Ernest Becker
  • Essex Art Association
  • Eucalyptus trees
  • Every Painter Paints Himself
  • Everybody's Autobiography
  • exhilaration
  • fascicles
  • fashion
  • fashion sketch
  • Fayyum portraits
  • Ferlinghetti
  • Fernande Olivier
  • Figure and ground
  • figure vs. ground
  • figure/ground
  • figures on the Duomo
  • filming art
  • Final Soliloquy of the Interior Paramour
  • fine art
  • flâneur
  • floating images
  • flow
  • flowers
  • Flowers in a Crystal Vase
  • fog
  • Ford Madox Ford
  • foreground
  • foreground/background
  • forgery
  • framing tools
  • France
  • Francis Bacon
  • Frank Bidart
  • Frank Stella
  • Frankenthaler
  • Franz Kline
  • Frederick Sandys
  • Freiburg
  • French proverb
  • French washing machine
  • Freud
  • fuzz vs. sharp
  • Gainsborough
  • Gallery One Connecticut
  • Gallery Route One
  • Gary Zack
  • Georges Braque
  • Georges Braques
  • Georgia O'Keeffe
  • Gerhard Richter
  • Gerhard Richter Painting film
  • German countryside
  • Gertrude Stein
  • Gertrude Stein and audience
  • Gertrude Stein and happiness
  • Gertude Stein
  • Get Out of Town
  • Getty Kouros
  • Getty Vila
  • Gibellina
  • Gilles Deleuze
  • glass
  • Goya
  • Grande Odalisque
  • Graphic Studio Gallery Dublin
  • Gray Jacobik
  • Greek expatriates in Egypt
  • green
  • Green on Red Gallery
  • Greene Art Gallery
  • grids
  • Grimm's Fairy Tales
  • Guilford Art Center
  • Guilford Arts and Crafts Fair
  • Gustave Caillebotte
  • gyosho
  • Haimes Gallery
  • Haines Gallery
  • Hal Foster
  • Hans Memling
  • hard and soft
  • harold Bloom
  • Harwood Museum in Taos
  • hawks
  • Heiner Goebbels
  • Helen Frankenthaler
  • Helen Frankenthaler and artistic direction
  • Helen Vendler
  • Hemingway
  • Henri Rousseau
  • Henry James
  • Henry James vs. Gertrude Stein
  • Henry Miller
  • here/there
  • Hess Collection
  • hierarchies
  • hills above St. Tropez
  • Hiroshige
  • Hokusai
  • Homer
  • Hope and Feathers Gallery Amherst
  • horizons
  • horizontal line
  • Hotel China
  • Housep Pushman
  • how to judge art
  • Howard Hodgkin
  • human mind
  • hummingbird
  • I An I Studio
  • Ian McDonald
  • ICB Winter Open Studios
  • Idea of Order at Key West
  • identity and entity
  • Illustration
  • image and text
  • image vs. text
  • imagination
  • imagination and reality
  • imaginative painting
  • Impressionism
  • including the viewer
  • Indira Martinez Moore
  • Ingres
  • Ingres Nude
  • Ingrid Rowland
  • iPad art
  • iPad paintings
  • iPad sketch over photograph
  • Ireland
  • Iris Murdoch
  • Irish Contemporary Painters
  • Isabelle de Borchgrave
  • isolation and contact
  • Jackson Pollock
  • Jacques Riviere
  • James Lee Burke
  • James McNeill Whistler
  • Jan Van Eyck
  • Jane Austen
  • Jane Austen's letters
  • Jane Eyre
  • Jane Hamilton
  • Janet Bishop
  • Japantown
  • Japonisme
  • Jarrett Earnest
  • Jasper Johns
  • Jasper Johns's target
  • Javier Cercas
  • jazz poets
  • Jean Patchett
  • Jean-Léon Gérome
  • Jed Perl
  • Jerald Melberg Gallery
  • Jerome O Drisceoil
  • Jill Godmilow
  • Joan Armatrading
  • Joan Mitchell
  • Johan Zoffany
  • John Atkinson Grimshaw
  • John Bunker
  • John Connell
  • John Constable
  • John Di Paolo
  • John Eldefield
  • John Fredercik Lewis
  • John Graham
  • John Keats
  • John Le Carre
  • John P. Quinlan
  • John Singer Sargent
  • John Yau
  • Jorge De la Garza
  • Josef Albers
  • Josep del Hoyo
  • journal art
  • Joyce and Ulysses
  • Joyce's Ulysses
  • judging works of art
  • Judith Barbour Osborne
  • Judith Foosaner
  • juired shows
  • Julian Bell
  • Jungles in Paris
  • juried show acceptance
  • juxtaposition
  • Jylian Gustlin
  • kaisho
  • Kansas
  • Karen Rosenberg
  • Kate Davy
  • Katherine Rothkopf
  • Keats
  • Keith Wilson
  • Kenjilo Nanao
  • Kenneth Baker
  • Kenneth Burke
  • Kenneth Patchen
  • Kenneth Paul Block
  • Kenneth Rexroth
  • kestrel
  • Klimt
  • Knoedler Gallery
  • knothole
  • knotty-pine panelling
  • Kurosawa
  • la caravane passe
  • Lalla Essaydi
  • landscape
  • landscape painting
  • landscape plays
  • landscape-as-movement
  • landscapes
  • landskip
  • Larry Rivers
  • lattice
  • Lawrence Durrell
  • Lawrence Wechsler
  • Lawrence Weschler
  • layered painting
  • layers
  • Le Musée Ingres
  • Legion of Honor
  • Leigh Bowery
  • lenses
  • Leo and Gertrude Stein
  • Leonardo Da Vinci
  • les chiens aboient
  • Les Halles
  • Leslie Peck
  • Leslie Shows
  • Liam O Broin
  • Lichtenstein
  • life thrilling and rich
  • lightning
  • line drawings
  • line vs. color
  • lithographs of Dante
  • long sigh of the frog
  • LOOK
  • loosening the lines
  • Los Angeles skyline
  • love and loss
  • Lucian Freud
  • Lucien Freud
  • Macbeth
  • Maçon
  • Madame Brunet's face
  • Madame Cézanne
  • make it new
  • male and female nude modelsVenetian painters
  • manet
  • Mannerist painting
  • Marchés
  • Marian Goodman Gallery
  • Marilyn Levin
  • Marin MOCA
  • Mario Uribe
  • Mark Rothko
  • mark-making
  • marsh
  • Mary Cassatt
  • Mary Mountcastle Eubank
  • Masters of Venice
  • Matisse
  • Matisse's "Blue Nude" and "here/there"
  • Matisse/Diebenkorn
  • Matt O'Callaghan
  • Matt Phillips
  • Matt Webster
  • meaning in abstract art
  • memory
  • Meridian Gallery
  • metaphor
  • Meyerovich Galleries
  • Michael Rich
  • Michaelangelo
  • Michelangelo
  • Milan streets
  • MIMOSA
  • Mirror of the World
  • mise-en-scene
  • mist
  • mistletoe
  • mixed media painting
  • Mlle V.
  • modern art
  • Modernism Inc.
  • Modernist inclusion
  • Molly Peacock
  • MOMA
  • Monet
  • monotype
  • Mont Sainte-Victoire
  • Montauban
  • Monuments and Archways
  • more paint
  • morels
  • Moveable Feast
  • Mrs. George Swinton
  • Mrs. Reynolds
  • Muir Beach
  • Musee des beaux Arts
  • musée imaginaire
  • museum wall
  • music and painting
  • my Queen's skirt theory
  • mystery
  • Napa landscape
  • narcissism of minor differences
  • neither foreground nor background
  • nest
  • nest and cottage
  • new perspective
  • new sketch
  • new work
  • Nimes
  • Norman Parkinson
  • Northampton
  • notebook
  • nude
  • nude vs. naked
  • nudes
  • NYC getaway
  • Oadlisque Series
  • observation
  • Ocean Park
  • Ocean Park series
  • odalisque
  • odalisque paintings
  • Odalisque Series
  • odalisques
  • Ode on a Grecian Urn
  • Ogata Korin
  • Oliver Sears
  • Olson
  • omitted part
  • Ontological Theater
  • open vs. closed painting
  • orange slices
  • orange square
  • organic shape
  • Orientalist painting
  • originality and repetition
  • Originality of the Avant-Garde
  • otherness
  • Ottoman Art
  • Ouides
  • out of white paint
  • oyster
  • oyster-rocks
  • oysters
  • Pablo Picasso
  • painted chairs
  • painterly
  • Painterly Eyes
  • painterly nude
  • painting
  • painting about feeling
  • painting and photography
  • painting and space
  • painting in progress
  • painting in the flow
  • painting is secretive
  • painting-in-progress
  • paintings of rooms
  • Paisieu
  • Pam Erickson
  • Paper Garden
  • PARIS
  • Paris nude
  • partly-finished sketch
  • Patricia Cohen
  • Patricia Meyer Spacks
  • Patrick Graham
  • Patrick Wilson
  • pattern and repetition
  • Paul Cézanne
  • Paul Klee
  • Paul Mellon
  • peach and pear against French script
  • pears
  • peas
  • pelicans
  • peonies
  • perfect art
  • perfect space
  • perfect squirrel
  • perfect surface
  • perfection
  • personal painting
  • perspective
  • Peter Selz
  • Philip Seymour Hoffman
  • Phillip Hua
  • Philomene Pirecki
  • photocollage
  • photofunia
  • Piano and Mandola
  • Pic-St.-Loup
  • picasso
  • Picasso-esque sketch
  • Pissarro's People
  • Plato
  • play
  • plot
  • plum tree
  • poetry and art
  • poetry and control
  • Poitou-Charentes
  • porch lights
  • portrait
  • portraiture
  • postcard paintings
  • Postscript
  • poured paint
  • presence and absence
  • presence/absence
  • Pride and Prejudice
  • Princesse de Broglie
  • Project Arts Centre Dublin
  • prose landscapes
  • provenance
  • Provencal Spaghetti and Meatballs
  • Rachel Cohen
  • rain in puddles
  • Raphael Zarka
  • Rara Avis Series
  • Rauschenberg
  • realistic art
  • Rebus
  • Red and Black
  • redwoods
  • reflection
  • reflections
  • Regrets
  • Rena Bransten Gallery
  • Renoir
  • repoussoir
  • reputation in painting
  • review
  • revision
  • Reynolds
  • rhubarb pie
  • Rhys Davies
  • Richard Diebenkorn
  • Richard Foreman
  • Richard Holmes
  • Richard Serra Drawing
  • Richard Sigmund
  • river
  • Robert Duncan
  • Robert Louis Stevenson
  • Robert Motherwell
  • Robert Rauschenberg
  • Robert Weisberg
  • Roberta Smith
  • Robin Greenwood
  • rock
  • rocks and clouds
  • Rodin
  • Roman Empire
  • Rosalind Krauss
  • Roy Lichtenstein
  • Rubens
  • Sage pasta
  • Sally Mann
  • Sam Taylor-Wood
  • Samuel Beckett
  • Samuel Beckett's letters
  • sanded painting
  • Sarah Thornton
  • Saratoga Arts
  • Saratoga Springs
  • Sausalito Open Studios
  • scale
  • scanning
  • school house
  • Schuylerville
  • Schwarzwald
  • screen
  • Seager Gray Gallery in Marin
  • Seals and Crofts
  • Seamus Heaney
  • Seeing Gertrude Stein
  • self-portrait
  • Serge Sorokko Gallery
  • setting sun
  • Seven Days in the Art World
  • SF Contemporary Jewish Museum
  • SFMOMA
  • shaking loose
  • Sharon Payne Bolton
  • shimmer
  • shoreline galleries
  • silk vs. skin
  • Silks up against grass
  • Simon Abrahams
  • six balloons
  • sketch of Paris street sign
  • sketch of the Queen's Skirt
  • Sketchbook Project 2012
  • Sky vs. air
  • small art
  • small explosion
  • smooth paint
  • so cold no fire ever can warm me
  • solar panels
  • sosho
  • sources for Demoiselles
  • Spanish influence
  • Spirit and Beauty Kimmidoll
  • spring as muse
  • squirrels
  • Stanzione
  • Stein and Toklas
  • Steve Lloyd
  • Steven Corsano
  • Stevie Wonder
  • still life
  • Still-life
  • stone
  • storage
  • studio conversations
  • subdued nude
  • subjective vs. objective judgment
  • summers in France
  • sunflowers
  • sunlight and shadows
  • surface illusion
  • Susan Fehlinger
  • Susan Howe
  • Susanna and the Elders
  • Suzanne Langer
  • T.J. Clark
  • T.S. Eliot
  • taling to ourselves about art
  • tanka-prose poem
  • Taos
  • Tarlton poem
  • TEMPETE
  • Temple of Dendur
  • Teo Gonzalez
  • Teri Malo
  • text
  • text and image
  • text-based art
  • the "real" work of art
  • the "Women" series
  • The Art of the Book
  • the artist's resume
  • the artist's statement
  • the autobahn
  • the Auvergne
  • the Beat poets
  • the brushstroke
  • the color orange
  • the color white
  • the consolations of art
  • the creative idea
  • The Cubist Epoch
  • the cult of personality
  • the disappearing object
  • the edge between abstract and realistic painting
  • the face in the portrait
  • The Fan
  • The Floor Scrapers
  • The Four Philosophers
  • the French village
  • The Gearagh
  • the Getty
  • the girl
  • The Green on Red Gallery
  • the grid
  • the Harem
  • the Harwood Museum
  • The Hess Art Museum
  • the hole between life and art
  • The Idea of Order at Key West
  • The Iliad
  • the imperfect
  • the job of the artist
  • the key to Cubisme
  • The Laffer Gallery
  • The Lake Isle of Innisfree
  • The Long Island Sound
  • the male gaze
  • the model
  • the moment
  • the neon boy on the moor
  • the painter's touch
  • the painting wins
  • The Piano Lesson
  • The Prelude
  • the process of the artist
  • the Queen's skirt
  • the real vs. the imagined
  • the role of accident in painting
  • the role of theaudience
  • the room and the garden
  • the secret of the picture
  • the Sistine Chapel
  • the space between
  • The Steins Collect
  • the subject in art
  • The Typewriter is Holy
  • the uses of art
  • The Wanderer Above the Mists
  • the weight of air in painting
  • the Yale Center for British Art
  • Theodore Roethke
  • Thomas Eakind
  • Thomas Eakins
  • Thomas Stavovy
  • Throne of Blood
  • throwing paint
  • thrown paint
  • Tintern Abbey
  • Tintoretto
  • Titian
  • Titian's Venus of Urbino Comes today...
  • top 10 western movies
  • tourist postcards
  • towards a painting
  • tragedy
  • trees on the streets of Lyon
  • Trevor Bell
  • triptych
  • Tryweryn Valley
  • Tunisian chairs
  • Turner
  • ukiyo-e
  • Ulla Dydo
  • un train peut en cacher un autre
  • Unbalancing Acts
  • unfinished art
  • unfinished paintings
  • untitled
  • upstate New York
  • Van Dyck
  • Van Gogh
  • Venus of Urbino
  • Vermeer
  • version II
  • video art
  • Vincent Van Gogh
  • vineyard in sonoma
  • vineyards
  • virtual and real sketches
  • visual art inspired by literature
  • Vladimir Nabokov
  • Volnay
  • Vuillard
  • W.B. Yeats
  • W.H. Auden
  • wabi sabi
  • Waiting for the Moon
  • Wallace Stevens
  • Warhol
  • Watch Hill
  • water lilies
  • Watteau
  • Wendy Steiner
  • West to East
  • what is abstract art for?
  • what is an abstract
  • Whistler
  • white paint as transparent
  • white sea
  • Whitewashing the moon
  • why we draw
  • wild goose chase
  • William Burroughs
  • William James
  • William Wordsworth
  • wine label
  • winter mroning moon
  • winter trees
  • women thinking
  • woodblock print
  • wooden squares
  • woodpiles
  • words and images
  • Wordsworth
  • work at art
  • work engenders work
  • www.brianedmonds.com/blog
  • Yeats
  • Yorkshire
  • Zola
  • zombie formalism

Report Abuse

An afternoon at Thurlestone

An afternoon at Thurlestone

Search This Blog
  • Home

The Changing Face of a Painting

Popular Posts

  • "Faithful to the Process": A Review of Richard Serra Drawing
    (The Retrospective has been at The Metropolitan Museum Of Art in New York, and is, for a few more days, at SFMOMA and will soon mov...
  • Criteria for Abstract Art: Image vs. Text, Part IV
    Can we discuss abstract art without resorting to text? Is there a way to see a painting without being blinded by the artist’s biography or...
  • Tintoretto's "Susanna and the Elders": Image vs. Text, Part II
    Figure and Ground We saw this painting at the De Young’s “Masters of Venice” show a few days ago; at 57” x 76 ¼,” it takes up mos...
Picture Window theme. Powered by Blogger.